In 2011, the Taiwanese artist presented his play Only You, in which the character of the medieval Buddhist monk Xuanzang slowly walks across the stage for half an hour. This scene inspired him to shoot short films that contrast the slowness of walking with the speed of the surrounding events. The first of these, No Form, was shot on the streets of Taipei and revels in the duality of time and space, humorously punctuated by Nina Simone's song Feeling Good.

The key elements of electronics, such as semiconductors and display components, are produced in “clean rooms,” which are spaces where environmental conditions, including dust, are controlled. However, workers in these clean and sanitized spaces are often exposed to chemicals that are seriously hazardous to their health. Unlike immediate catastrophes, diseases caused by the accumulation of chemicals often go unnoticed and develop slowly over generations. 　　What was that sour-yet-sweet odor? Does "clean" mean that it only maximizes production stability while being far from body safety? Ironically, it is only the memories of the bodies and the faint smells of the substances passing through the clean rooms that prove the invisible toxicity and dangers of these cutting-edge technology sites. 　　Colorless Odorless follows the work records and archival materials of victims of semiconductor biohazards to trace the smells and actions of substances that cameras cannot capture. To this end, the voices of Asian women and migrant workers, who are exposed to vulnerability, are heard. Testimonies of the past are overlaid on current symptoms, and the disaster repeats itself in other bodies and places. As multinational corporations move manufacturing plants to developing countries to lower not only labor costs but also the costs of safety standards and regulatory responses, industrial disasters are also globally transferred. 　　Perhaps the future is not an abstract number, but something intertwined with specific bodies and matter. As high-tech industries lead the way in the globalization of risk and exploitation in increasingly outsourced workplaces, Colorless Odorless attempts to map out the terrain of solidarity among victims, activists, and workers' unions in the face of these risks and exploitation. (Written by Shinjae Kim, producer)

莱昂（安东尼·拉帕格利亚 Anthony LaPaglia 饰）人到中年，和妻子索尼娅（凯瑞·阿姆斯特朗 Kerry Armstrong 饰）之间的关系早已经十分疏远，名存实亡。家庭之外，莱昂有着一位交往甚密的情人简（蕾切尔·布雷克 Rachael Blake 饰），在简那里，莱昂能够短暂的找回自信和激情。 　　索尼娅察觉到了丈夫的异样，但是她选择将一切的愤怒和痛苦隐藏在心底。心理治疗师瓦莱丽（芭芭拉·赫希 Barbara Hershey 饰）是索尼娅的树洞，常常开导和安危她，可是，瓦莱丽也必须面对自己内心里的黑洞——她的女儿成为了一场谋杀案中的受害者，她至今无法从失去女儿的悲痛之中走出来。某日，瓦莱丽突然失踪了，莱昂对她的下落展开了调查。

这部电影围绕两位主角，阿雄（武俊越）饰，阿皇（阮清秀）饰。阿皇从一个家境优越的环境中长大，而阿雄则是被这个家庭收养的孩子。他们一起长大，兄弟之情渐渐地转变为同志间的爱情。接受不了自己孩子是同志，母亲燕（金庆）饰，变得惊慌失措，绝望而失去理智，最终导致了家庭悲剧的发生。 　　除了情感触动之外，这部电影在拍摄和音乐制作方面也是一大突破，取景地位于越南大叻，被誉为“爱情天堂”的这个城市也为电影增添了满满的浪漫色彩。 　　中文预告：http://v.qq.com/boke/page/s/0/p/s0150k7ex5p.html 　　主题曲《我亲爱的人啊》MV：http://v.qq.com/boke/page/b/0/j/b01508rhf5j.html

这部电影围绕两位主角，阿雄（武俊越）饰，阿皇（阮清秀）饰。阿皇从一个家境优越的环境中长大，而阿雄则是被这个家庭收养的孩子。他们一起长大，兄弟之情渐渐地转变为同志间的爱情。接受不了自己孩子是同志，母亲燕（金庆）饰，变得惊慌失措，绝望而失去理智，最终导致了家庭悲剧的发生。 　　除了情感触动之外，这部电影在拍摄和音乐制作方面也是一大突破，取景地位于越南大叻，被誉为“爱情天堂”的这个城市也为电影增添了满满的浪漫色彩。 　　中文预告：http://v.qq.com/boke/page/s/0/p/s0150k7ex5p.html 　　主题曲《我亲爱的人啊》MV：http://v.qq.com/boke/page/b/0/j/b01508rhf5j.html

在1944年初 品学兼优的希特勒青年团小组长——15岁少年海因茨•斯蒂尔克突然被上面发现自己存在犹太人祖宗，极度震惊的他遭到学校开除和昔日朋友的殴打，甚至他作为德军军官战死的父亲照片也被悔辱，在种种压力下，他一边仍坚定自己的纳粹身份，一边开始了被迫的逃亡和冒险，直至德国战败。电影通过海因茨荒诞和奇特的遭遇表现了二战时德国普通人的矛盾心理，对种族问题进行了辛辣嘲讽，歌颂了下层人民的美好品德。 　　改編自东德作家Wolfgang Kellner的小说“Abenteurer wider Willen”。

被屠族的汲族少女阿念在凛洲的河伯祭祀大典前一晚伪装成婢女混进河神殿想要为族人拿回灵物赑屃，没想到梁洲世子崔崖临时起意抓了当晚大殿内的所有婢女，用她们当猎物来围猎。飞廉营将军萧子夙听到消息，他决不允许有外洲人在本土撒野，便急忙赶来营救。期间，阿念听闻赑屃暂由飞廉营管辖，于是迅速改变方案，想要混进将军府。她冒险展示自己手上的汲人手串，子夙果然怀疑起她的身份，并拆穿她并不是河神殿杂役，逼问其身份。

被屠族的汲族少女阿念在凛洲的河伯祭祀大典前一晚伪装成婢女混进河神殿想要为族人拿回灵物赑屃，没想到梁洲世子崔崖临时起意抓了当晚大殿内的所有婢女，用她们当猎物来围猎。飞廉营将军萧子夙听到消息，他决不允许有外洲人在本土撒野，便急忙赶来营救。期间，阿念听闻赑屃暂由飞廉营管辖，于是迅速改变方案，想要混进将军府。她冒险展示自己手上的汲人手串，子夙果然怀疑起她的身份，并拆穿她并不是河神殿杂役，逼问其身份。

故事写的是在一个临海的小渔村，一个老妇人被病魔夺去了生命。这一来，原本非常平静的小渔村立刻起了变化，汇拢来的女眷们簇拥着遗体，毫无忌惮地放声痛哭。不久，吊唁的客人和村民纷纷沓至。亡人是个著名作家的母亲，所以也惊动了中央及地方的要员。时光流逝，夜入三更，人们举杯落盏之余，有的已是横躺竖卧，烂醉如泥。但也有人或醉心赌牌，或大嚷大叫，或出拳动手打骂起来。丧家乱哄哄的，一片狼藉。天亮了，送葬的时刻到了。人们抬着棺舆，排着队列，唱着挽歌，向墓地进发。下葬结束后，回到丧家的人们，将死者的遗像安放在灵堂，最后照纪念照。大家神情凝重，照相人的一句玩笑，才把大家逗得笑了起来。活动结束了，小小的渔村又恢复了往日的平静。